There is such a joy I get when I watch the crime or noir films of Fritz Lang. Here's a man that truly understands evil. Though I have yet to see all of his Mabuse works, I can't wait to see every single interpretation--both by him and others--of one of my very favourite cinematic villains. Furthermore, I greatly relish seeing the works of great filmmakers who use subtlety and cleverness to get their art out in the most difficult of circumstances, using their craftsmanship to take pokes at the oppressive regimes they are working under (i.e., Eisenstein, Lang, the Czech New Wave, Jafar Panahi). ...