Why on earth did they decide to colourize _Scarlet Street_? This is a film where every shadow, every drop of rain, and every grimy street corner needs to be black and white to intensify its moody, bleak atmosphere. The grayscale isn’t just aesthetic; it’s the very essence of the story’s dark descent and the bleakness surrounding its characters. Stripped of that stark, high-contrast style, it loses the bite and grit that makes it a quintessential noir. The decision to colourize it feels almost sacrilegious, robbing it of its noir identity and the raw power of Fritz Lang’s vision. This vision sh...