Deeraj Vaidhy, the debutant director of Jil Jung Juk, seems to belong to that rare breed of filmmakers in Tamil cinema — one who uses visuals to tell his story. Aided by his cinematographer Shreyaas Krishna, he gives us flamboyant visuals (the film is set in a not-so-distant apocalyptic future), which are further enhanced by Vishal Chandrashekar's boisterous score (that, at times, drowns out the dialogues). In that sense, the film heralds the arrival of a promising talent. But, the film, as such, is somewhat of a minor let-down because the writing is not as strong as the visuals and, while it ...