Andrzej Wajda's "The Promised Land" is quite fascinating and eminently watchable. The period imagery is superb, capturing late 19th century industrial Łódź with visceral authenticity. From the opening shots of choking black smoke enveloping the city, Wajda establishes the visual language of a world consumed by industrial greed. The narrative grows progressively darker and more cutthroat, following the moral degradation of three ambitious men chasing wealth in Poland's textile boom. The partnership itself—a Pole, a German, and a Jew—is positioned as a study in ethnic dynamics. At times they ...