As the 1960s went by, Jean-Luc Godard was increasing adding social concerns and strident political messages to his films, but never without breaking traditional storytelling, however zany it might be with his French New Wave style. In 1967, however, he set off on a new direction. LE GAI SAVOIR was the first production that Godard shot after he bade farewell to his usual crew and dedicated himself entirely to political filmmaking. Originally made for French television, it was rejected and only screened at a few festivals, and it is easy to understand why: LE GAI SAVOIR still feels very avant-ga...