The Boss of It All: Lars von Trier's Comedic Deconstruction of Control Who knew Lars von Trier could make us laugh? In "The Boss of It All", he doesn't just satirize corporate culture - he dismantles artistic pretension with surgical comedic precision. The film opens with von Trier himself, reflected in a window, perched in a cherry picker camera dolly - a literal deus ex machina, playing God while simultaneously mocking the very concept of directorial omnipotence. Here, he's gleefully playing God and immediately undermining himself. Using Automavision, a computer program that randoml...