As the 1960s went on Jean-Luc Godard kept up the kind of brash, zany, experimental style with which he made his name and became a cornerstone of the French New Wave, but his work increasingly showed a political consciousness sparked by the explosion of the consumer society in that decade. The class of haves, in his view, were being increasingly selfish and dog-eat-dog, while the have-nots of the world could not be expected to stand by idly. Society was surely headed for a breakdown, and his 1967 film WEEKEND is an absurdist vision of it in one hour and forty-five minutes. This is emphatically ...