Invariably, there’s always one film release each year that’s vastly and inexplicably overrated, both in terms of critical acclaim and awards season recognition, and this disappointing, tediously paced slog tops my list of candidates for 2024. Writer-director Payal Kapadia’s examination of contemporary working class conditions in Mumbai follows the stories of three women who struggle with getting by financially, vocationally and personally, all of them having relocated to the city from their rural roots in search of illusory, overpromised opportunities. The picture has been widely praised for i...