I kind of feel that Anderson lends himself to a film like this. He uses a lot of extreme wide angles and if you ever smoked a little dope in college the world looks a little like when you mount that 18mm on your SLR. His choice of lenses lends itself to telling the story of a guy like Doc without going over the top ala Fear and Loathing and making it a little too blatantly FX. The humor works in best possible dry as a martini kind of way, and it's played straight like comedy should be. But really, the premise sold me. Take a hard boiled film noir kind of mystery and replace Sam Spade wit...